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STAGE PLOT PRO SAFE MOVIE
STAGE PLOT PRO SAFE CRACK

STAGE PLOT PRO SAFE CRACK

In Hostiles, Blocker’s hatred begins to crack when he witnesses Yellow Hawk and the other Indians quickly move to join in protecting their group, even killing other Indians in defense. He gets a glimpse of his essence, of who he could be, if he let go of his persona.

Stage 2: At this stage (between the 10% and 25% mark), your character’s entrenched views begin to be challenged.

Before he retires, he’s commanded to escort the ailing Cheyenne chief Yellow Hawk-his most despised enemy-to his ancestral home in Montana. He hates the Indians and cannot see past his hate to imagine they have any humanity or worth. In Hostiles, Army Captain Joseph Blocker has spent the last two decades fighting Indians, and he’s witnessed horrific things the Indians have done. This is the face he shows the world, and though it’s helped him cope with life, it has not brought him happiness.

Stage 1: This is your setup scene at the start of your novel.

STAGE PLOT PRO SAFE MOVIE

Let’s take a look at these six stages of transformation, using the movie Hostiles as a perfect example. By the end of your story, your character finds no safe haven in that persona any longer. Events erode a person’s grasp on his persona until he can no longer hang on to it. In other words, your character moves from his persona to his true essence in stages, gradually and in a believable manner.

I like to use Hauge’s Six Stage Plot Structure, which not only shows the key turning points in your plot and where they go, it also aligns your protagonist’s transformational journey with those specific events in your story. We need to develop one that is intrinsically tied in with our premise. While we understand coming up with “a wound” for our protagonist is key, we don’t want to make up any ol’ wound. This gives us a blueprint for the process of crafting a strong character arc. At some point we have to pull off the sock, look hard at the infection, then extricate that thorn and flush out the wound. We keep our foot in a sock and walk around trying to ignore it, but it isn’t going to go away on its own. It’s like having a tiny (or big) thorn in our toe that is festering. But when we suppress them, it creates problems. It’s human nature to deny and avoid painful feelings. This is his face he presents to the world that keeps buried his pain, fear, or hurt. What makes for a great persona is a character who has suffered in his past and has developed a coping mechanism over time.

And the stories with strong arcs show a character starting in what Hollywood movie consultant Michael Hauge calls identity or persona. A suspense thriller or cozy mystery may show little character growth by the end, when the bad guy is caught or the mystery solved, whereas a thoughtful women’s fiction novel or relational drama may showcase monumental change.īut, in all stories, arcs are about change or transformation. Depending on genre and plot, your hero’s change might be subtle or life-altering.

While all characters in a novel can have arcs, it’s the protagonist whose change should be the most significant. The Six Stages of Your Hero’s Character ArcĪs a writer, you’re probably familiar with the term “character arc,” but what does a character arc entail? How do you structure this arc? And what informs the way your character changes, from the start of your story to the end? I am a big fan of Michael Hauge’s 6-Stage Plot Structure so please read on! Lakin who is opening up discussion on a powerful topic: Character Arc. It’s always special when a past Resident Writing Coach returns to the blog, so help me welcome C.S.